Artist Statement

What I call the ontological figuration of form in painting: for me, it is the discovery of new possibilities of form. A line can be born from a head, a body, or an idea, and follow its own path without returning to its starting point, breaking with the formal structure of the object.

Color acts as an autonomous layer of energy. The background is not a neutral setting, but a language of its own, with its own geometry that coexists with the figure in tension or in contrast.

To carry out this exploration, I use what I call Reflexive Pictorial Polystylism, because each execution produces a distinct work. What interests me is learning from the process of creation itself — this is the constant running through my entire practice: a body, a head, or an object are only the starting point for discovering their different formal and technical possibilities in painting.