Artist Statement

What I call the ontological figuration of form in painting: for me, it is the discovery of new possibilities of form. A line can be born from a head, a body, or an idea, breaking with the formal structure of the object.

Color acts as an autonomous layer of energy. The background is not a neutral setting, but a language of its own, with its own geometry that coexists with the figure in tension or in contrast.

To carry out this exploration, I use what I call Reflexive Pictorial Polystylism, because each execution produces a distinct work. What interests me is learning from the process of creation itself — this is the constant running through my entire practice: a body, a head, or an object are only the starting point for discovering their different formal and technical possibilities in painting.