Artist Statement

I paint within a Reflexive Pictorial Polystylism: each execution produces a distinct work, and I change style and technique according to the motif. Each work begins with a prior idea that painting develops. What grows through the process is my knowledge of form. Line and drawing are the common thread of my work: each thing I paint asks me to draw in a different way in order to know its sensory reality.

A line can be born from a head, a body, or an idea, and escape the formal structure of the object. In some heads, line follows the contour; in others, it breaks away from it. In robots, line builds the structure; in linear compositions, it is the theme itself.

Color acts as an autonomous layer of energy. The background is not a neutral setting but a language of its own, with a geometry that coexists with the figure, in tension or in contrast.

Within the variation of the subject lies what I call the ontological figuration of form: the discovery of new formal possibilities. Its aim is to know what form is, starting from the premise that form is never fully finished. No work exhausts form: the next one reopens it through another visual language..